Essay on The Crucible Rhetorical Analysis - 902 Words

The Crucible Rhetorical Analysis In a society where the thoughts and opinions of people are meant to blend in, a division actually occurs where they are usually separated because of their opinions. The play and the event, The Crucible and the â€Å"Red Scare† respectively, supply greatly to the difference of opinion because it shows that people are willing to do anything to not only oust the people that they dislike, but try and obtain the attention that they are seeking. During the â€Å"Red Scare,† McCarthy targets the issue of communism in the United States of America in order to become the favorable candidate for re-election as well as obtaining the attention that he desired. This event parallels with Abigail Williams, from Arthur Miller’s†¦show more content†¦As the investigation went on, McCarthy sat back as he gained fame and his victims suffered from his vicious lies. Abigail and McCarthy both tried to use pre-existing fear as an exploit in order to help build their fame: Ab igail wants the attention; and McCarthy, the recognition. In the play Abigail started the malevolent lie just so she could achieve one simple goal: the disposal of Elizabeth Proctor and the start of a spectacle. As the play states, â€Å"John—I am waitin’ for you every night,† (Miller 838). Abigail obviously wants to make Elizabeth look like witch material in order to eliminate Elizabeth and grant Abigail the spotlight that she wants. This shows that Abigail, much like McCarthy, has a motive when it comes to using fears and exploits to deceive the town of Salem. At the same time, Senator McCarthy wants to use the existence of communism in order to help build his fame so he can easily be re-elected. Williams and McCarthy both show that when there is a weakness or a fear in the system or the society; they had to get in the opportunistic strike at the perfect moment in order to get the maximum amount of attention possible. During the time of the â€Å"Red S care† McCarthy stated that he â€Å"loved to manipulate people,† (Oakley 207). He was able to â€Å"swagger† in the meeting and he knew that he could stir up â€Å"turmoil and confusion† at a moment’s notice. OnceShow MoreRelatedThe Crucible Rhetorical Analysis786 Words   |  4 Pageswitchcraft. The play The Crucible depicts this incident as it closely happened in real life. One character in this play, Judge Danforth, was the judge of the trials who believed that these accusations of witchcraft were true, and order the executions of those 19 innocent people. Throughout his presence in the play, he convinces the people of Salem that what he believes in is correct, and that justice should be delivered to those who have sinned with the Devil. In The Crucible by Arthur Miller, JudgeRead MoreThe Crucible Rhetorical Analysis733 Words   |  3 Pagesrevealed to them in the end. A happy ending does not always have to have a good event such as a marriag e or happy-ever-after but it can be considered a good ending when a character or characters has gone through moral development. In The Crucible, Arthur Miller uses rhetorical devices such as logos, ethos and anaphora to provide moral reconciliation for John and Elizabeth Proctor, revealing the consequences through ones actions can spark a realization of wrongdoing. As John Proctor is facing death, heRead MoreRhetorical Analysis Of Arthur Miller s The Crucible 1251 Words   |  6 PagesIn The Crucible, Arthur Miller employs many rhetorical and poetic elements to depict the changing nature of relationships between the play’s characters. One of the most rhetorically dynamic relationships portrayed in the play is the marriage between the protagonist John Proctor and his wife Elizabeth. Miller skillfully uses Elizabeth and John’s language and the overall tone of their marriage to manifest John’s complex character development throughout the play. The marriage evolves from a relationshipRead MoreAnalyzing And Comprehend Works Of Literature And Math1719 Words   |  7 Pagesroller coaster cart going up and down the hills. At the end of the first quarter, I had slowly improved my abilities in writing rhetorical analyses. In the last rhetorical essay of the quarter (Last Child in the Woods by Richard Louv), I was able to recog nize and express the rhetorical devices that I found in the article. My explanation for the author’s purpose for a rhetorical device was clear and well worded as shown in the following sentence. â€Å"When people hear this question, they will notice how theyRead MoreThe Crucible with Related Text865 Words   |  4 Pagessocial security. One belongs to a group, a family, a unit, and one can also be isolated from groups and rejected from communities. Through analysis of The Crucible by Arthur Miller and the feature article, A Dangerous mind offers an insight into the concept of belonging as it is presented and substantiated through the use of literary devices. In The Crucible, belonging is explored through a theme of persecution, whereby one must conform to the rules of society in order to belong. The alternativeRead MoreThe Freedom Writers And Romeo And Juliet905 Words   |  4 Pagesto evidence, evidence, analysis, and conclusion. Both my freshmen teachers helped me develop this structure for my essays. Our essays had to be typed in 12 inch font but we didn t have an official format that we had to go by. Sophomore year I had the same English 9 teacher for English 10 I continued to develop my essay skills. Sophomore year we read new books like Catcher in the Rye and the House on Mango street. We focused on our sentence structure and learned rhetorical effects and sentence structureRead MoreJohn Lewis Gaddis s The Cold War1414 Words   |  6 Pageslost faith in its rival’s pledge to the system and that was over Cuba in 1962, when Khrushchev extremely miscalculated and Kennedy at first misread his intentions; and in the early Eigh ties, when Ronald Reagan’s huge rearmament program and repeated rhetorical challenges to the Communist empire led Moscow to believe that the US in actuality was planning a preemptive nuclear first strike, and to prepare in view of that. The author is convinced that Nikita Khrushchev slipped missiles into Cuba chiefly asRead MoreOutline on Frankenstein3283 Words   |  14 PagesFrankenstein by Mary Shelley In the Gothic novel Frankenstein, Mary Shelley integrates the rhetorical devices figurative language, imagery, and tone to impart the concept that the desire to acquire knowledge and emulate God will ultimately result in chaos and havoc that exceeds the boundaries of human restraint. I. Life of Mary Shelley / Characteristics of Gothic Literature A. Life of Mary Shelley 1. Eleven days after Mary Shelleys birth, her mother, the famed author of A VindicationRead MoreEssay about outline on Frankenstein3183 Words   |  13 Pages Frankenstein by Mary Shelley In the Gothic novel Frankenstein, Mary Shelley integrates the rhetorical devices figurative language, imagery, and tone to impart the concept that the desire to acquire knowledge and emulate God will ultimately result in chaos and havoc that exceeds the boundaries of human restraint. I.nbsp;nbsp;nbsp;nbsp;nbsp;Life of Mary Shelley / Characteristics of Gothic Literature nbsp;nbsp;nbsp;nbsp;nbsp;A.nbsp;nbsp;nbsp;nbsp;nbsp;Life of Mary Shelley nbsp;nRead MoreHuman Resource Essay example3782 Words   |  16 Pagesidioms) from organisational structures toward self-control: does this represent a new kind of tyranny though, a tyranny of ‘self-work’? Or is ‘self-work’ an entirely different kind of engagement with work, life and identity? What emerged from the crucible of the 1980s was a new ‘mix’ of principle and techniques of people management that grew steadily and substantially. What does this mix look like? As a mere list, it is very long and keeps growing: managing organisational cultures, participation

Symbolism of the Mississippi River in Huckleberry Finn

Rivers are often associated with freedom and growth as they are vast and constantly moving and progressing. The Adventures of Huckleberry Finn is no exception as Mark Twain beautifully paints a picture of a boy who grows significantly during his journey down the Mississippi River. In the beginning of the novel, Huckleberry Finn yearns for his freedom from people who hold him down such as the Widow Douglas and Pap. Ironically, he finds freedom in a place nearby: the river. When he first begins to travel down the river, Huck is more or less self-involved with his own personal motives in mind when running away. He complains about boredom and loneliness when what he really wanted in the first place was to be left alone. When he comes†¦show more content†¦In this case, Twain employs the run-on sentences to hopefully let us feel the length that they are traveling during the nights. The lazy days and active nights are underlined beautifully with the author’s use of descrip tion and literary techniques. In The Adventures of Huckleberry Finn, there is much talk of being alone or being cast away from society. This is most understood when Mark Twain describes the vastness of the river. His narrative devices and literary techniques help us feel these characteristics. Loneliness is a reoccurring theme as well and how better to feel the loneliness that Huck is experiencing than to describe the slow-moving life on the large, open Mississippi River. Twain does a beautiful job of this throughout the novel and especially in this passage. What we are left feeling for Huck is hope, Hope that he finds the freedom he is looking for. Hope that he can help Jim to the free states, and hope that he will never be lonely again. Work Cited Twain, Mark. The Adventures of Huckleberry Finn, London: W.W. Norton and Company,Show MoreRelatedEssay Symbolism: the Adventures of Huckleberry Finn1207 Words   |  5 Pageshave used symbolism to express certain feelings and emotions in discreet ways. What is symbolism? The practice of representing things by means of symbols or of attributing symbolic meanings or significance to objects, events, or relationships (Dictionary.com). Numerous authors use the same denotations to illustrate different thoughts or ideas. Mark Twain uses various symbols, such as the river and the land to expose freedom and trouble in his novel, The Adventures of Huckleberry Finn. The AdventuresRead MoreEssay on Symbolism in The Adventures Of Huckleberry Finn1212 Words   |  5 Pageshave used symbolism to express certain feelings and emotions in discreet ways. What is symbolism? The practice of representing things by means of symbols or of attributing symbolic meanings or significance to objects, events, or relationships (Dictionary.com). Numerous authors use the same denotations to illustrate different thoughts or ideas. Mark Twain uses various symbols, such as the river and the land to expose freedom and trouble in his novel, The Adventures of Huckleberry Finn. The AdventuresRead MoreHuck Finn River Symbolism1067 Words   |  5 PagesIn ï ¿ ½The Adventures of Huckleberry Finnï ¿ ½, the Mississippi River plays several roles and holds a prominent theme throughout much of the story as a whole. Huckleberry Finn and Jim are without a doubt the happiest and most a peace when floating down the river on their raft. However, the river has a much deeper meaning than just a compilation of water. It almost goes to an extent of having its own personality and character traits. The river offers a place for the two characters, Huck and Jim, to escapeRead MoreVenturing Freedom with Mark Twain1587 Words   |  6 Pagesalong the Mississippi River. Missouri was a slave state; it was there that Twain became familiar with the institution of slavery, as well as the ideas and practices of racism and inequality that dominated American life during that period. Although freedom was the basis of America’s foundation, the novel is written during a time t hat freedom is often in question, but rarely permitted. It is this culture that provides the background for his great work, â€Å"Adventures of Huckleberry Finn.† In the novelRead MoreThe Censorship of Huckleberry Finn Essay1273 Words   |  6 PagesThe Censorship of Huckleberry Finn Adventures of Huckleberry Finn is a significant book in the history of American literature that presents readers with the truth of our past American society in aspects such as speech, mannerisms, and tradition that we must embrace rather than dismiss by censorship. It is a novel that has been praised and proclaimed America’s â€Å"first indigenous literary masterpiece† (Walter Dean Howells) as well as one that has been criticized and declared obscene. It hasRead MoreThe Adventures of Huckleberry Finn: Symbolism860 Words   |  4 PagesThe Adventures of Huckleberry Finn: Symbolism Questions 1. Compare and Contrast Tom Sawyer and Huckleberry Finn. Although Tom and Hucklberry Finn have many things in common and are very good friends, they also live a life of two totally different lifestyles. Tom, who is a dreamer, lives a life out of romantic novels, and can be amusing and exasperating at the same time. He lives a life out of drama and brings out his imagination in a realistic way. He is amusing when showing his understandingRead More The Adventures Of Huckleberry Finn: Symbolism Essay859 Words   |  4 Pages The Adventures of Huckleberry Finn: Symbolism Questions 1. Compare and Contrast Tom Sawyer and Huckleberry Finn. nbsp;nbsp;nbsp;nbsp;nbsp;Although Tom and Hucklberry Finn have many things in common and are very good friends, they also live a life of two totally different lifestyles. Tom, who is a dreamer, lives a life out of romantic novels, and can be amusing and exasperating at the same time. He lives a life out of drama and brings out his imagination in a realistic way. He is amusingRead MoreMark Twains The Adventures of Huckleberry Finn and the Theme of Nature1545 Words   |  7 Pagesof Huckleberry Finn by Mark Twain has many different, intertwining themes. The book spotlights the personal growth and development of the protagonist, Huckleberry Finn, through the theme of nature. The importance of nature is shown in several ways like the symbolism of the Mississippi River, through the forest and Huck’s time spent living there, and by the argument of human nature versus civilization. While there are many different themes throughout the novel The Adventures of Huckleberry FinnRead MoreLife and Works of Mark Twain Essay1634 Words   |  7 Pagesthe Mississippi River, the symbolism of the river and its significance is reflected in his books. Overall, Mark Twain was a celebrated author, who relied on realistic reflections of his own observations, with an added mixture of humor. Discussion Mark Twain was mostly known for his accurate account of his surroundings. After spending his childhood near the Mississippi River, he developed an understanding of literature and the use of symbolism in his works. In â€Å"The Adventures of Huckleberry Finn†Read MoreRiver Symbolism In Huckleberry Finn1252 Words   |  6 Pagesquote relates to The Adventures of Huckleberry Finn written by Mark Twain because, Huck Finn has a friend who goes with him on his journey to the south. In a way his friend Jim becomes almost like family. They have spent all of their time together and they have been through a lot to get to the south and be free. The Adventures of Huckleberry Finn is a valuable novel and should be included in high school curriculum because it teaches people through river symbolism, the language used in the 1800s, and

Night Creature Hunter’s Moon Chapter 20 Free Essays

â€Å"Let’s go out and blast some werewolves,† I said. â€Å"We’ll both feel better.† â€Å"I don’t think so. We will write a custom essay sample on Night Creature: Hunter’s Moon Chapter 20 or any similar topic only for you Order Now † â€Å"Really. You will. I promise.† I knew / would. It was probably a mistake. She was worried about Will and I was worried about Hector, but we’d be together and we’d have guns. What could happen? â€Å"We should wait,† Jessie said. I roiled my eyes. â€Å"As long as we burn the wolves, like good little Juger-Suchers, everything will be OK.† She shook her head. â€Å"I’m supposed to be training you. You’re supposed to be patrolling the town. We’re going to blow that off because pretty boy stopped for a few drinks and didn’t ask permission?† â€Å"Keep it up,† she muttered, â€Å"I just might shoot you.† If she was back to threatening me instead of staring at her shoes and moping, I was on the right track. â€Å"Come on. By the time we get back, Cadotte will be home. You don’t want him to know you’re sitting around by the phone, do you? Have a little pride.† Her eyes narrowed; I smirked, taunting her. I’d welcome a good fistfight. I wanted my mind off Hector. Off the knowledge that he was here, somewhere, watching me. I’d been searching for him for years. But I’d never once felt that he was near. Until now. My scar ached and burned. Was that what he’d meant when he’d said I would never be free of him? And here I’d thought he’d only been referring to my nightmares. â€Å"I got a package from Mandenauer,† Jessie said quietly. I forgot about hunting, about Hector. â€Å"The rogue agent file?† She nodded and handed me a FedEx envelope. They had overnight delivery even in Shit Heel. Amazing. â€Å"I talked to Damien. He said the gun wasn’t his.† â€Å"And you believed him?† â€Å"Yeah, I kinda did.† I hesitated, glancing at the package in my hands. â€Å"Did you†¦ ?† â€Å"Of course.† â€Å"And?† I held my breath. Had Damien lied? â€Å"I didn’t recognize Fitzgerald. But then I’m not as close to him as you are.† My breath caught. How could she know? Did my forehead flash She slept with him! in orange neon? â€Å"What’s that supposed to mean?† I demanded. â€Å"Never mind. Just look at the pictures, Leigh.† I upended the envelope onto the kitchen table. Several photos fell out. None of them were Damien. â€Å"I’d better find out who lived in the cabin before he did,† Jessie said. â€Å"Couldn’t hurt.† She nodded. â€Å"Hold on; I’ll get my rifle.† Jessie disappeared into the bedroom. I guess we were going hunting. I couldn’t very well renege when I’d just taunted her into it. She returned with her gun and ammunition. â€Å"What if we see the white wolf?† â€Å"Shoot first, ask questions later.† â€Å"That would be my call.† We took the squad car. While we’d been chatting, the sun had gone down and Jessie had gone on duty. â€Å"Have you searched for their lair?† I asked. â€Å"A little, with Mandenauer.† I should have known. One of my first lessons had been How to Find a Lair 101. Once you did, the rest was so much easier. â€Å"We checked all the usual places,† Jessie continued. â€Å"Caves, abandoned buildings, dugouts, collapsed barns. Nothing.† I remembered an earlier conversation with Will. â€Å"What about the mine?† She glanced at me, her eyebrows lifted in surprise. â€Å"Let’s find out.† We headed out of town. â€Å"What about Elwood?† I asked. â€Å"What about him?† â€Å"Shouldn’t you get him the picture, let him know who we’re after?† She glanced at her watch. â€Å"He’s off the clock. I won’t be able to get ahold of him.† â€Å"No phone?† â€Å"He’s got a phone, but he won’t hear it.† â€Å"Because?† â€Å"He turns off his hearing aid as soon as his shift ends.† Hearing aid? I shook my head. â€Å"What if you need backup?† â€Å"I don’t want it from him. Shakiest gun in the West, remember?† â€Å"Gee, I feel so safe and protected.† â€Å"Crow Valley hasn’t had a murder since it appeared on the map.† â€Å"Somehow, I doubt that.† â€Å"Well, none that were reported anyway.† Which reminded me. â€Å"Anyone gone missing in the last few days?† I was thinking about the black wolf – and the nine dead from the other night. â€Å"No.† She glanced at me. â€Å"It’s strange. I agree. But without a report, what can I do?† â€Å"With a report, what would you do?† â€Å"Not much.† We’d know where the missing person had gone – straight down a werewolf gullet, but we couldn’t say so. If someone was reported missing, Jessie would call headquarters. They’d make something up, ascertain that their lie held water. That’s what Juger-Suchers did. â€Å"I’ll show Elwood the picture of Hector in the morning,† Jessie said. â€Å"He’d be no use now anyway. He gets a little†¦Ã¢â‚¬  she roiled her finger around her ear, â€Å"when he’s tired.† Swell. Werewolves, a psychotic, cannibalistic ex-boyfriend, and a loony deputy. I loved this town. We reached the southern outskirts. I’d never gone in this direction before. Jessie swung onto a wide dirt path. Was anything paved around here but the highway? Thirty seconds over another â€Å"good† road she stopped. â€Å"We’d better walk in.† I nodded. If the werewolves knew we’d found their lair, they’d abandon it. We’d be back to square one. I checked the wind, adjusted our direction. Were-wolves could smell, see, and hear better than real wolves, definitely better than humans. We should stay upwind, keep quiet and out of sight. I glanced at the sky. The moon became larger and larger with each passing night. Soon it would hang heavy and full. By then we needed to know where they went to change. We needed to even the odds as best we could. We needed to find out what they were up to. Jessie went first, cutting through the trees, heading away from the road. I followed, just behind and to the left, keeping an eye on our back trail. You never know what might creep up on you. I was impressed with the way she moved, avoiding sticks, dry leaves, low-hanging branches that could not only blind but also make a helluva lot of noise if they snapped. I’d heard rumors that she’d been some hotshot deer hunter in her previous life, which must have thrilled all the manly men in Miniwa to pieces. At least she knew how to walk through the woods with a gun. I wouldn’t have to worry about getting my brains blown out. One less thing. Jessie glanced at me, pointed ahead. I followed her finger. The entrance to the mine loomed from the night. Set into a hill, it was boarded up. Except for a single plank that hung free. By accident? Or design? Time to find out. Together we moved out of the cover of the trees, eyes searching the shrubbery for movement, the ground for tracks. There was nothing. Jessie made for the entrance. I grabbed her arm and she scowled, tugged, but I shook my head. I was going in first. I held out my hand for the flashlight that hung from her utility belt. She stuck out her tongue, but she gave me the flashlight. I didn’t have to tell her to watch the clearing, make sure we weren’t trapped in here. She turned and scanned the woods, rifle ready. Switching the heavy-duty cop flashlight to on, I aimed it inside the abandoned mine. No shining eyes stared back. Nothing jumped out and said, Woof! So far, so good. I squeezed through the small area left by the lapsed plank and entered the cool, damp interior. The flashlight revealed a packed earth floor, decrepit poles, and beams that had collapsed. No clothes, no shoes, no wallets or purses. Double damn. They hadn’t been here. At least not today. The lack of a lair was beginning to disturb me nearly as much as the lack of missing persons reports. There had to be a lair somewhere. It didn’t take a genius to find it, just patience and time. Neither one of which I had in abundance. â€Å"Leigh?† â€Å"Yeah?† I whispered. â€Å"I’m here.† â€Å"Anything?† â€Å"Not yet.† â€Å"Hurry up,† she said quietly. â€Å"This place gives me the creeps.† I had to agree, though I wasn’t sure why. There was nothing out of the ordinary. Abandoned mine, middle of the forest. Deserted, dark. Big deal. As long as there weren’t any werewolves out for my blood, it was a good day. I inched farther inside, flicking the flashlight back and forth across the floor in front of me. The earth tilted downward. The air grew cooler. I kept walking – until something crunched beneath my boot. I froze and aimed the beam onto my toe. I’d stepped on a femur. As in human leg bone. Ugh. There were a lot more bones scattered in a descending trail of white down the path in front of me. â€Å"Jessie?† I called. â€Å"You’d better come see this.† She didn’t waste time. In less than ten seconds she was at my side. â€Å"Looks like you found a few missing persons.† â€Å"Looks like.† â€Å"Hell. Now what?† â€Å"I don’t know. We can find out who they are, but it’ll take time and raise a ruckus.† â€Å"Ruckus? Good word.† â€Å"This makes no sense.† I shook my head. â€Å"Why would they drag their kills here? They’ve never cared before who they killed or where they left them.† â€Å"They’ve never eaten one another before, either.† â€Å"Good point.† â€Å"No body, no proof,† Jessie murmured. â€Å"If they kill transients, hide what’s left when they’re through, no one’s the wiser. They could keep hunting until they clean out the town. Except that might be suspicious.† â€Å"Wouldn’t it, though?† I shook my head. â€Å"This makes no sense. A werewolf is smart, but it’s a werewolf. People are food. Any people. I just can’t see them picking and choosing like they’re at a buffet line. Can you?† â€Å"I don’t know. You’re the expert.† I was, and I was stumped. â€Å"This could be their lair. If we set up outside, waited awhile, we should be able to pick off a few.† â€Å"Won’t they smell us?† â€Å"Maybe. Depends which way they approach.† I shrugged. â€Å"I don’t know what else to do.† â€Å"Can’t hurt to try.† I agreed and we headed for the entrance. â€Å"I hate to leave them here like this.† Jessie glanced back at the trail of bones. â€Å"They won’t know.† â€Å"I will.† I understood her unease. Humans buried their dead – in a nice cemetery. Or kept their remains in a pretty urn on the mantel. They did not leave their werewolf-gnawed bones in an abandoned mine forever. And we wouldn’t, either. â€Å"When this is over, Edward will send in a team,† I said. â€Å"They’ll identify everyone, and if they have any family, they’ll be notified.† And lied to, my mind mocked. â€Å"If they had any family, I doubt they’d be in here. It’s sad, don’t you think? Disappearing and no one even knows that you’re gone.† I kind of thought it was nice. No one to mourn. No one to cry. No one to wish that they’d died, too. â€Å"You know we have to leave them here, Jessie,† I said quietly. â€Å"Dragging them out will alert the werewolves. Letting the world know that there’s a pile of human bones in Crow Valley will end any hope we have of finding out what’s going on and stopping it.† â€Å"I know. But I don’t have to like it.† She stalked ahead of me and I let her go. I shouldn’t have. â€Å"Oomph,† was all she said when the wolf leaped through the entrance and hit her in the chest. The animal went straight for her throat, no fooling around. An excellent clue that this was a werewolf. Wolves just don’t attack people. It’s against their nature. Werewolves, however, are unnatural from the get-go. The beast snarled and snapped, lunging with all he had as he tried to end Jessie’s life. He was seriously pissed. I suppose we’d stepped on sacred ground or something. Who knows with them? Jessie was quick, and she’d dealt with werewolves before. She grabbed his neck and levered the snapping jaws away from her skin. I shot him in the head. Fire blazed through the cavern, highlighting Jessie’s pale, shocked, biood-spattered face. She heaved the wolf to the ground and rolled away. I stepped past them both and glanced outside. He’d been alone. At least for now. I hurried back, grabbed her elbow, and tugged. â€Å"Let’s go.† She got up, retrieved her rifle, which had flown into a corner when he hit her, then followed me out of the mine. â€Å"You OK?† I asked. Jessie nodded. A quick glance at her hands revealed red streaks on her palms but at least no blistering burns from the exploding werewolf. â€Å"Back to your place.† â€Å"We were going to hunt.† â€Å"I think we already did.† â€Å"But – â€Å" â€Å"Forget it, Jessie. We can come back, but I have a feeling they’re on to us.† Since a werewolf and not a person had attacked, I didn’t think the mine was where they went to change. I’d found no evidence of that – no clothes, no shoes, no underwear. The mine might not be their lair, but it was something. I’d have to ask Edward just what. Jessie could walk, even talk. But she was pale, brain spattered, and her hands clenched the rifle too tightly. I made her go first. I didn’t trust those hands on that gun behind my back right now. Accidents might happen, but I didn’t plan on letting them happen to me. At least not here, not now. We reached the car, and I slid into the driver’s seat. Jessie didn’t argue. But when I started the engine, she suddenly reached over and switched it off. Her expression was as serious as I’d ever seen it. Her eyes huge, pupils dilated, her face was ghostly white beneath the drying blood. â€Å"If I’m ever bitten,† she said, â€Å"shoot me.† â€Å"Jessie – â€Å" She grabbed me by the throat, squeezed my windpipe just enough to shut me up. My fingers circled her wrists. I tried to break her hold, but she was strong and a little bit crazed. â€Å"I don’t want to be one of those things. And Will†¦Ã¢â‚¬  She cursed and let me go. I thought it was mighty big of me not to beat her silly. Instead I rubbed my throat and let her talk. â€Å"Will would say it didn’t matter. That he loves me no matter what I am.† â€Å"He would.† â€Å"I know. I loved him, too, even when I thought he was one of them.† I didn’t get that. However, now was not the time to bring it up. â€Å"I should have shot him, but I couldn’t.† â€Å"Lucky you didn’t, since he wasn’t.† â€Å"Shut the hell up,† she said, though there wasn’t much heat behind her words. â€Å"I know he’ll never do it. I probably couldn’t off myself either. I wouldn’t want to leave him.† â€Å"You’d rather turn furry, howl at the moon, and eat raw people than leave him.† She stared me straight in the eye and said, â€Å"Yes.† â€Å"Fine. You get bitten, I blow your head off.† I held out my hand. â€Å"With silver.† I shrugged. â€Å"Goes without saying.† She put her palm against mine. â€Å"I’ll do the same for you.† I guess that made us lifelong pals. How to cite Night Creature: Hunter’s Moon Chapter 20, Essay examples